"Bowfinger," written by Martin and directed by Frank Oz ("Little Shop Of Horrors"), understands how deeply people yearn to be in the movies, and how fame can make you peculiar. Like Mel Brooks' "The Producers" (1968), it's about fringe players who strike out boldly for the big time. The shabby frame house on a dead-end street has a sign outside promoting glorious enterprises ("Bowfinger International Pictures"), but inside everything is debt, desperation and dreams.

To preserve that earnestness Wittock then sidesteps introspection, and restricts character development to Jeanne’s aptitude for creating scaled mechanical designs in her room. Afraid, perhaps, that if we get to know her more profoundly, we might wonder if there’s trauma igniting a delusion. By the same token, the town’s dynamics are also thinly drawn—including a band of kids who taunt Jeanne and seem to visit the park every day.  Aside from Merlant’s performance, this inter-material relationship between flesh and metal is made spellbinding by cinematographer Thomas Buelens’ work in scenes where Jeanne rides on Jumbo or addresses its flat center (the closest thing to a face).

Jacob Sartorius BiographyJacob Sartorius is best known as Singer, songwriter, actor, internet personality who has an estimated Net Worth of $3 Million. Social media star and singer who has earned over 9 million followers on Instagram and more than 23 million fans on TikTok. He released his first single “Sweatshirt” on May 3, 2016 and his debut EP The Last Text dropped on January 20, 2017. He first gained mainstream attention on musical.

The Webster community in New York is mourning the tragic loss of Louis Pascarella, a devoted and hardworking employee who met an untimely demise while delivering salt. The sudden and unexpected accident has shed light on the potential dangers that can arise from even the most mundane tasks. As the community grapples with the loss, there is hope that greater awareness and efforts towards workplace safety will be sparked by this unfortunate event.

Rebecca has been adapted for film (and radio, and theatre) countless times, the most famous one, of course, being Alfred Hitchcock's 1940 version, starring Laurence Olivier as Maxim, Joan Fontaine as Mrs. De Winter, and Judith Anderson as Mrs. Danvers (the housekeeper who remains loyal to the dead Rebecca). Orson Welles beat everyone to the punch, though, adapting the best-selling book for radio the year it was published; he peppered the cast with Mercury Theatre regulars.